Materials
• One piece mahogany body.
• Mahogany neck.
• Ebony head-face.
• Brazilian rosewood fingerboard & heel-cap.
• Hand-cut ‘reverse’ V Mother-of-Pearl fingerboard markers.
• Brass crown head-face logo.
• 24 3/4" scale length.
• Medium/heavy gauge hard, high and high-crowned fret-wire.

Hardware
• Nickel plated short Maestro Vibrola tremolo.
• Custom nickel plated Grover Imperial machineheads.
• Seymour Duncan SH-4 JB (bridge) & SH-2 Jazz (neck) pickups.
• Nickel plated pickup covers and cream surrounds.
• LR Baggs T-System piezo bridge saddles in a nickel plated Nashville Tunomatic bridge.
• LR Baggs Control-X onboard pre-amp.
• Separate volume controls with gold ‘mirror’ knobs for each of the 3 pickups.
• 3 way toggle switch for magnetic pickup selection.
• 3 way mini-toggle switch for magnetic/piezo or combination pickup selection.
• Stereo output jack giving separate outputs for both magnetic and piezo systems.
• All electronics are attached to a cream-black-cream laminated scratch-plate.
• Cream-black-cream laminated truss rod cover engraved with Andy’s signature. The engraving is lined with a gold oil-based wax.

There is NO summed mono output on this guitar, to allow both systems
to be played through a single amplifier. She can either be used with a mono lead for the
magnetics or with a stereo with the magnetics and piezo going to separate amplification.

Colour
• Body is sprayed with Champagne coloured nitrocellulose.
• Back of headstock sprayed black.
• Neck has been left as natural mahogany.
• Top coated with a 'thin' covering of clear nitrocellulose lacquer.